When was ballad opera popular

In Britain and the United States musical comedies started to become a popular form of entertainment by the s, alongside Music Hall. But whereas Music Hall was a mixture of short sketches and vignettes combining comic songs and stand-alone routines, a musical comedy had a clear narrative or storyline throughout.

Music Hall used bawdy jokes often the songs contained lots of rude innuendo and was a relatively cheap and very popular form of entertainment for the working classes at that time.

Musical comedies, however, employed a more sophisticated humour and appealed as much to the upper and middle classes. The storylines and content were much more family friendly and the set and production values lavish in comparison.

A Musical theatre partnership called Gilbert and Sullivan was famous for producing many comic operas and musical comedies in the mid to late s. Augustus Juilliard, a wealthy textile merchant, left behind a settlement for the development of music and the two schools soon merged. For Strayhorn, melodic and harmonic development was most important.

The whole song had a quite slow tempo, and vocal part was exaggerated. The chord progression of the piano accompanied the vocal which drifted smoothly up and down with the change of emotion, while the percussion and string sections were presented softly in the background.

Remarkably, the leading position vocal in this song also illustrated the change of focus from band to vocalist in the late Swing era. Since its production, the book has been overshadowed in notoriety by a progression of musical-showy adjustments, which are additionally among the most prevalent shows in the standard of musicals, proposing a liking in the middle of musicals and Oz Bunch, Beacon Readers. The songs performed used traditional music instruments and styles. Many songs were passed down through oral tradition, and many were stories of real events.

Music had been part of the human culture for years. As we know there is different type of music that come from different part of the world and they all have a unique history behind it. American music was develop in the spiritual music with one of the most known called The Negro Spiritual.

A spiritual or Negro spiritual is a type of Christian song, which emerged in the late eighteenth century and was developed in the early nineteenth century in the United States.

These black spirituals were popular adaptations of Protestant religious hymns, made by African American workers who were generally enslaved or discriminated against. Musicals are performed all around the world and may be presented in large venues or in smaller theatres or spaces like school halls. Although music has been an integral part of theatrical presentations since ancient times, the modern musical only emerged during the late nineteenth century. Just like the opera, these genres are both sung in an operatic style.

The ballad opera originated in England around the eighteenth century, and developed to become a type of comic opera. It typically featured farcical plots and light-hearted music that was mainly confined to ballads and folk songs that were interspersed with spoken dialogue. The Beggar 's Opera is an example of a ballad opera. An operetta, although similar to the opera, is typically shorter than traditional operas. This genre is also much lighter in style and more popular in subject matter than the opera.

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